Tuesday, December 30, 2014
Ich glaube an das Christkind!
Während
meiner frühen Kindheit waren die Wochen vor Weihnachten immer etwas Besonderes.
Unsere Tante Lisa erschien jeden Samstag im Advent um, wie es mir schien,
geradezu industrielle Mengen von Weihnachtsbäckerei herzustellen. Tante Lisa
war eine liebe, große, grauhaarige Dame mit riesigen Händen. Sie kannte uns
buchstäblich seit unserer Geburt, denn sie war die Hebamme, die bei der Geburt
meiner Schwester half, und ihre Gegenwart vermittelte Frieden, Geborgenheit und
Spaß. Deshalb war es immer ein besonderes Privileg ihr beim Backen zu „helfen“.
Genauso besonders waren dann die Abende als Familie, an denen wir um den
Adventskranz saßen, gemeinsam sangen oder etwas vorlasen, und unsere Mutter
regelmäßig weinte. Wir waren einander in solchen Zeiten näher als sonst, und
sie spürte das. Ich könnte noch viele andere Adventrituale erwähnen, und alle
vermittelten sie das Gefühl einer heilen Welt. Mit anderen Worten, ich glaube
an das Christkind, nicht nur als Bringer
von Geschenken, sondern als unsichtbare Macht, die mein Leben und jenes
meiner Lieben wohlwollend lenkte.
Natürlich
war auch die Desillusion vorprogrammiert. Eine unachtsame Nebenbemerkung
meines Vaters verriet, dass er, und
nicht das Christkind, die Handtasche meiner Mutter gekauft hatte. Es kam noch
schlimmer: ein Onkel nahm sich das
Leben, meine erste Liebe blieb unerwidert, und besagte Tante Lisa wurde
mit Multipler Sklerose diagnostiziert
und begann langsam zu verwelken. All das, angereichert durch ausgiebige
Lektüre französischer Existentialisten, produzierte tiefe Verunsicherung und
die Überzeugung, dass das Leben ein sinnloser Kampf und ein Tränental sei. Das
Christkind war gestorben, und ebenso der Weihnachtsmann, und der liebe Gott.
Es dauerte
vermutlich noch fünf oder sechs Jahre bis mir jemand erstmals die Christliche
Story auf eine Weise erklärte, die Sinn machte. Der liebe Gott war nicht der
Weihnachtsmann oder die gute Fee. Weder ließ er Schmerzen und Leiden nicht
einfach durch seinen Zauberstab verschwinden, noch war er ein Sadist, der die
Welt so eingerichtet hatte, damit Menschen unglücklich seien. Leiden und Verrat
war das Produkt menschlicher Freiheit, wenn wir unsere eigenen Wege statt die
Wege Gottes wählen. Aber Gott zeigte
sich solidarisch mit diesen Wesen, die er geschaffen hatte, und so
sandte er seinen Sohn, der unser Los teilen würde. Das war die
Weihnachtsgeschichte und sie brachte auf einmal Sinn in diese scheinbar
sinnlose Welt. Gott wurde Mensch und
brachte damit zum Ausdruck, wer er
zutiefst ist, Gott mit uns (Immanuel).
Es ist
diesen Dezember vierzig Jahre her, dass man mir diese Geschichte erstmals
erklärt hat, aber sie hat nichts von ihrer Kraft und Faszination verloren. Dementsprechend
haben mich auch die Neuigkeiten des vergangenen Jahres nicht aus der Bahn geworfen: weder die Vergewaltigung
der Schwester einer Bekannten, noch der Krebs einer anderen Tante, noch die
andauernde Plage von Ebola, Korruption und Unwettern in Afrika. Keines dieser
Dinge ist so mächtig wie die Liebe
dessen, der sich zum Kind gemacht hat, und er macht sich in diesen Situationen
gegenwärtig und verändert sie, ähnlich wie damals die Gegenwart meiner Tante
Lisa, die die Adventsamstage veränderte. Und so kommt es, dass ich auf neue
Weise an das Christkind glaube. Ich hoffe, ihr auch. Frohe Weihnachtsfeiertage!
I believe in Santa Claus!
The weeks before Christmas were always very special in my
early childhood. Aunt Lisa would appear on Saturdays in order to bake what
seemed like industrial quantities of Christmas cookies. Aunt Lisa was a sweet,
tall, grey-haired woman with enormous hands. She had looked after us from when
we were babies (in fact she had been my mother’s midwife and delivered my
sister), and her presence conveyed peace, security and fun. Therefore working
with her in my mother’s kitchen on those Advent Saturdays was something very
special. So were our family evenings around the Advent wreath during which we
sang, read Bible passages and Advent stories, while mom invariably cried: we
rarely were so close to each other than on such occasions, and my mother knew
it. Many other Advent rituals could be mentioned, but they all contributed to
the feeling that “all will be well and all manner of thing shall we well”. In
other words, I believed in Santa Claus, not only in the sense that he was
bringing the Christmas gifts, but that somehow forces for good were directing
my little life and that of my loved ones.
Disillusion was sure to come, and it did: a casual remark of
my dad gave away that he had indeed bought my mother’s travel bag, not a
white-bearded man on the North Pole. Worse: an uncle committed suicide, my love
for a school sweetheart remained unreciprocated, and Aunt Lisa was diagnosed
with multiple sclerosis and started to wilt away. All this, together with
copious amounts of required existentialist reading in my French school,
produced deep angst and a conviction that life was a struggle and a valley of
tears. Santa was well dead.
It probably took another five or six years before I first
heard the Christian story explained to me in a way that made sense: God was not
a fairy queen or a benevolent, yet distant ruler. He did not wave his magic
wand to make pain and suffering disappear; nor was he a sadist who had set up
this world in a way that made human beings miserable. Suffering and betrayal
were of man’s making, when in his free-will he chose his own way rather than
the ways of the Lord. But God decided to show solidarity with those beings he
created and to send his own son into this world to share our fate. That was the
Christmas story and it suddenly made sense of this seemingly sense-less world.
God became man, and in so doing expressed who he truly was, God with us
(Emmanuel).
It will have been forty years this December that I first
heard this story explained to me, but it has not lost any of its power. As a
result, this year’s news has not phased me: not the fact that a friend’s sister
was raped, or that another aunt has a malignant tumour in her pelvis, or that
Africa continues to be plagued by Ebola, corruption and droughts. None of these
things are as strong as the love of him who made himself a little child: and he
enters all those situations and transforms them, just like Tante Lisa’s
presence transformed my otherwise drab December. So, in a new way, I do believe
in Santa Claus: I hope you can too! Happy Christmas!
Friday, December 12, 2014
Where Do We Come From? Who Are We? Where Are We Going?
One of Paul Gauguin’s
last pictures is called “Where Do We Come From? Who Are We? Where Are We Going?”
Even without this title it would be a perfect Advent picture, even though it is
not set in snowy France or Germany, but in brilliantly sunny Tahiti, Gauguin’s
second home. On this wide canvas the painter asks some of the most fundamental
questions of human existence: How is it that we are alive? What makes us who we
are? And what is our destiny, especially after death? We don’t have records of
what Gauguin thought of all these matters, beyond the painting itself, but we
know that when he set off for Tahiti he had arsenic in his pocket and intended
to kill himself. Over the course of a few weeks he changed his mind, and
painted this piece instead.
On the right, we see
three women, and next to them a baby. They are contemplating, but also
participating, in what many people consider the most religious experience of
human existence, childbirth. An agnostic friend of mine once told me that he
knew there was a God when he saw his wife giving birth.
Further toward the middle
you see women chatting, a man pensive, and a youth plucking the fruit of a
tree. A child sits in the ground, also eating a fruit, surrounded by a goat and
cats. It is an almost pastoral scene of harmony and peace, all bathed in
tropical light. Somehow Gauguin captures the atmosphere of Eden, and seems to
imply that this is really “who we are”: beings longing for shalom, peace, the
good life. Finally, on the far left,
an old woman, pale and grey-haired, prepares to die. The cycle of life seems
complete, and death is the end of it, or is it? The white puffin bird seems to
indicate an afterlife, however vague and ill-described. We also see a blue
deity, gently over-viewing the whole scene, as if all that we are and do happens
under the watchful eye of God.
Whether or not you like
post-impressionistic art, the question Gauguin asks is of deep import, and
Advent is traditionally a season when Christians ponder it actively. November
was the month to remember those we have lost, our loved ones, and during the
few weeks before Christmas we ask ourselves: what really makes us happy? What
makes us human? I death and decay our final destiny? And where is this world
headed? Maybe you also want to draw a picture?